Queer Country Quarterly this Saturday!

Winter Queer Country Quarterly_TwitterFriends, it’s time for the Winter Queer Country Quarterly this Saturday! With the wonderful Joshua Marcus on tour from Providence, dreamy cosmic-country goodness from Wiley Gaby’s Goldenchild, and your faithful Sorrows, who have been working hard on our new Jew-country, James-Baldwin-influenced song cycle.

WHEN: Saturday, December 5th, 8:00 pm
WHERE: Branded Saloon, 603 Vanderbilt Ave, at the corner of Bergen St, Brooklyn
DOOR: $5 but no one ever turned away for lack of funds
RSVP: https://www.facebook.com/events/517247595091677/

Branded has a wheelchair accessible entrance and bathroom. Also, there is always a bucket of free candy for people who enjoy candy. Read more about the bands below and hope to see you on Saturday!

xoxo,
karen

More about the bands:
Joshua Marcus
Joshua Marcus loves cooking, all things musical, and to both orchestrate & be part of tangibly authentic experiences in the actual world. Joshua’s current musical interests are writing and performing our perceived shared truths, as well as syllabic syncopation and off time rhyming à la rap, r&b, hip hop, math rock. JM has been writing & performing for two decades. Current goal: 3new eps and poem chapbook in 2016!

Goldenchild
Influenced by classic country storytelling, melancholy pop melodies, and pretty things, Brooklyn-based, Florida-born songwriters Wiley Gaby & Jeffrey Doker set out to carve a space where their seemingly disparate influences could meet, mingle, and ultimately blur genre lines to create beautiful new music. On their debut album, Goldenchild merges elements of classic country and ambient soundscapes with a respectable hint of pop sensibility. The result is “gorgeous, cosmic country” that NYC’s Next magazine calls “damn beautiful.”

Karen & The Sorrows
Queer country pioneers Karen & the Sorrows “write loss and heartbreak, and goddamn are they good at it.” (F**k Yeah, Queer Music) Their album The Names of Things is full of “haunting pedal steel work and unvarnished heartbreak” (Bust Magazine) and was voted one of the Freeform American Roots chart’s best debut albums of 2014.

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